Here is some more photos from the shoot the other day. They are not my favourites, but good enough to share I think.



Model: Kerry Ann Peterson



Model: Gabriella Srage



Model: Emma Perceval

I just finished another edit of one of the photos from the open day.

Someone else had posted a photo of a dream like impression and I wanted to see if I was able to do the same with one of my photos.



Model: Taylia Lopez
Lighting & Set: Studio 1A
Hair & Make-up: Kabuki Mee Designs

I also did another photo of one of the other girls at the photo shoot.




Model: Britney Williams
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Sets: Studio 1A Sydney

The photoshoot last week provided a lot of lessons...some learnt and some where I need more practice.

My main reason for participating was to gain more experience working with models and especially be able to pose models better. A secondary objective was to get some great photos that I can use for my portfolio and for this website.
I think I succeeded with both objectives although I definitely need more experience with posing.
 
 I had no idea what to expect before getting there apart from knowing that there would be a number of models, makeup artists and a number of different sets.
 
The format is pretty simple...first come first serve to a set. You use the time effectively, work quick and take 20-30 shots with each model and after that you let someone else have a turn and move onto a different set.
 
This means that you have to work very effective with the models and try and get a good photo. You cannot change the set and you cannot change the light setup so in terms of creativity this is quite limiting.
It came in very handy that I have done some studio photography and have a good understanding of the theory. This means that it was easier for me to work with the variables that I could change, mainly changing my position on the set to get different shadows and lights and then also let the models move closer or further away from the lights to change this. I definitely think that this allowed me to get some pretty unique photos, but I definitely something I need to do more of if I get the chance to do this again.
 
Also, some of the models were professional models and others had done absolutely no modelling before. They all presented different challenges, as the professional models will give you the model poses and looks and it it hard to change this without it being pretty obvious that you only have little experience. The ones with no experience required a lot more guidance and this was where I really struggled and I definitely need some more standard poses that I can pull out for these situations. That said some of the models with no experience did really good and the most of the models were rally good fun to work with.
I especially found it really hard to pose with the male models.

Another thing is how social media works. The agreement was that you would put your shots into a dropbox folder so that the hair and makeup artists as well as the model could access low resolution files and at the same time get access to your contact details if they would like prints/hires files. I also posted the photos on the groups facebook page and the response was amazing compared to what I normally get on photos. Lots of likes and suddenly everyone wants to be my friend on Facebook (they may be disappointed when they see the stuff I normally post) and most amazing is the response from the models and the hair and makeup artists...a number of them are already using the material to promote themselves (which I am fine with as long as it doesn't go beyond that) and they are leaving comments/shares saying things such as 'this is my favourite photo from the day so far'.

Not knowing what gear to bring I brought pretty much everything I terms of lenses and even a couple of flashes and grey cards. I ended up shooting with my 85mm f1.4 pretty much most of the time and occasionally changing to a 50mm f1.4 for full body shots or on the sets where there wasn't much space on the set. What I didn't bring was my 105mm macro lens. I could have used this lens for getting in close for detail type shots and wish I had brought this along.
I should also have brought an ND8 filter for shooting natural light at f1.4...even with the Nikon D800 it was next to impossible to not overexpose using that bright light.
 
They have announced that they will be holding another shoot in august which I am planning to participate in and they also have a nude workshop in July that I am trying to convince Kim that I should go to...but we will see.

Pia had a very cool red and white facepaint/makeup. It was a bit strong for the set but I think it is pretty good in black and white with a slight hint of the colours blended back in.




Photographer: Rene Pallesen
Model: Pia Prestley
Hair: Cara Leupuscek
MUA: Marie Donnell
Studio and lighting : 1A Sydney

Miyuki is a makeup artist and had never done any modeling before and this was the first time as a model.



She has a really nice outfit/hair piece and the makeup was done really nicely. The skin in her face is absolutely flawless and virtually no re-touching was required.



Photographer: Rene Pallesen
Model: Miyuki Tsuda
Hair and Makeup: Kabuki Mee Designs
Set/Light: Studio 1A Sydney

One of the professional models on the day was Melanie. She knows how to model and give you the looks but it also made it hard to get a unique photo. Even though I did get a lot of great photo I think the one below is the best...it is very magazine like.

At one point during my session with her she started talking to some other people down the back and she became all smiley and giggly...the modelling cover totally disappeared. I really kick myself that I didn't keep shooting while this happened.



Photographer: Rene Pallesen
Model: Melanie J Bowers
Hair: Cara Leupuscek
MUA: Melisa Tomic
Studio and lighting : 1A Sydney

I did another set/makeup shoot with Valerie in a more 50's style setting.

First I had her standing up, but just could not get the poses working for me with the makeup and the set...just somehow seemed out of place and it was my second set of the day so I was still trying to get used to the whole idea of giving posing directions.

Eventually I had her sit down and managed to get this photo which I think captured the whole 1950's style much better.




Model : Valerie Pueovska
Hair : Cara Leupuscek
MUA : Melisa Tomic
Studio/Set: 1A Sydney
Photographer : Rene Pallesen

At the photo shoot there was also a couple of male models.

I find it a lot harder to pose males than females...with females I can (kind of) tell what looks good and what doesnt and when I get a goo pose I know it. With males it is a lot harder as I never think about what looks masculine.

This day was a really eye opener that before I next time have to shoot a male I will have to do a bit of homework and have some general ideas already mapped out.

At the end of the day they were shooting inside this caged lift and I got the this shot. Later I saw another photographers photo using the same setting and it was amazing.




It was really cool to see what other people did in the same set and I learned so much just from watching other photographers as well as models.

I also did a couple of shots using a projection screen...not a big fan, but I did snap the following that turned out somewhat ok but not entirely happy about it.




Model: Sudip Limbu
Hair: Cara Leupuscek
Makeup: Melinda
Lighting & Sets: Studio 1A Sydney

I did a couple of different sets with Valerie. Depending on the makeup she would look totally different and unrecognisable.

I call this my 'Get Lost' photo...bit of attitude.







Model: Valerie Peovska
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Set: Studio 1A Sydney

The last of the girls that I shot at the window set was Edyta.

She has got a bit more of a rough look to her...a bit like Geena Davis in 'Long Kiss Goodnight'.

Being at the window with soft light everywhere the tough look didn't work for me, but I did manage to get this photo which emotionally is a bit more on the lighter side.




Model: Edyta Jedrzejowska
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Set: Studio 1A Sydney

Driving to the Lakes we decided to take the old road rather than the highway.This road crosses the mountain range and then catches up with one of the larger roads further inland. We were told that after the highway was built there was less traffic on this road, but when we got onto it, it was completely empty of any traffic whatso ever.

The drive across the range was very different. It was very scenic and the road was in great condition. The landscape was very rocky and very dry, almost dessert like with low scrubs and there were many old farms and houses that had been left probably because life was too hard up here. I would have thought it would be the typical place to have goats roaming around, but we didn't see a single goat up on the high plateau. The farms looked like they were several hundred years old. It was the typical farms you see in these areas where the farmers every year pick up the stones they see in their fields and put them to the side to eventually form a type of fence line/walls around the field. Some of these walls were several metres high for even very small fields meaning that they were very old and that it would have taken a lot of really backbreaking work to be able to grow anything up here.

After about seventy kilometres we were across the plateau and one of the first larger town we arrived to was Knin. We decided to stop here to pick up a few supplies and site down and have some lunch. Not far from the supermarket was the trainstation and here was the very nice old steam locomotive. It was built in Budapest (possibly in 1955) and was now just sitting there rusting.

After Bosnia we headed back to Croatia (and we then quickly had to cross back through Bosnia on the way to get there because of the geography) to Dubrovnik.

Dubrovnik was founded in the 7th Century as a refugee camp after the fall of the roman empire. A Slavic invation forced the romans to seek further south and eventually barricaded themselves on a rocky outcrop at Dubrovnik buy using a natual channel and building big walls as a defence.


Dubrovnik as such prospered and became a powerful trading port in the adriatic sea. Now it is probably one of the largest tourist attactions on the the eastern side of the adriatic sea.








As usual Kim had done a great job finding accomidation in an apartment only 100 metres from one of the main gates to the city, so it was a easy stroll to the old town.


My first impression of Dubrovnik was something along the lines of 'Holy @#@$@%...there are so many stairs here" (tough job carrying Aiden up and down stairs with a pram).



Fortunately we found an easier way that did involve very little more walking, but no carrying...so all a happy family.



The main street through the middle of Dubrovnik is very nice and full of nice places to eat and shop. There are a lot of people everywhere and in general everything is really expensive compared to elsewhere is Croatia. Parking for example was equivalent to $48 per day for street parking...and again considering it is a big tourist destination people are not that helpful with advise and guidance.




There are also several churces that are very nice. Our favourite one (by far) was the St. Ignatius Church.








Inclucing some museums such as the national archives which used to be the Sponza palace.




This is the handrailing for the stairs






As well as some great little Franciscan and Dominican monesteries. These both had some great little courtyard garden with palm and orange trees.










As well as some cool water fountains (Aiden was very happy with these) and really likes a cool splash whenever he could get the chance.




In more modern times, Dubrovnik was under heavy shelling by Serbian and Montenegro forces during the Yugoslav war in 1991 although it had absolutely no strategic value whatsoever.

Click here to see a video of the shelling of Dubrovnik

Today It is hard see any scars of this conflict as most of the buildings have been repaired although there are some signs of the shelling.





And again I managed to sneak out for a couple of evening photos. Evening shots were really hard to take as they were usually around the time where we either had to have dinner or get Aiden ready for bed.






One day we went snorkeling with the turtles in the lagoon.