• The swords are of a Burmese style called Dha (Means sword in Burmese).
• They are of museum worthy pieces
• I should NOT EVER attempt to restore them. This would degrade their value significantly.
• The flower script design on the swords are reserved for the rulers and officers of those days.
• အဲဒီဓားတွေကငါတို့ရဲ့ဗမာဓားတွေပဲလာအိုဆိုတာအရင်ကဇင်းမယ်လို့ခေါ်တယ်အင်းဝခေတ်မှာမြန်မာတွေတက်သိမ်းခဲ့တဲ့နိုင်ငံပဲဓားကိုငှက်ကြီးတောင်ဓားလို့ခေါ်တယ်ဓားကဓားကောင်းပဲ အခုငါပြတဲ့ဓားဟာလည်းသမိုင်းဝင်ဓားပဲငှက်ကြီးတောင်ဓားပေါ့ (Translation: These swords are our Burmese swords. Laos was formerly called Zin Mae, a country that was conquered by the Burmese during the Inwa period. The sword is called the Sword of the Bird. The sword is a good sword.).
• It's a Ngat kyee daung Dah the sword that was once used by Burmese warriors and Thai during the dark age of Konbaung (1765–1767).
  
• This Burmese Empire was destroyed during the English colonized to the East and totally wiped out by the English cannons kind of like a scene from the last samurai movie in the end! They were like charging to the enemy where they were being shot at.
• These are also antique pieces in a good state of preservation! Swords, even if they are in such good condition, belong in the museum. You have to take a look at the Malaysia Sword Museum! They are great specimen
• One would have to analyze the material metal wood winding fibers would certainly be very interesting! You don't see such a bundle every day
• The handle on the smaller sword is made from wound rattan fibres.
• The larger sword is made from silver and wound silver threading (I believe it is the typical not so pure silver/tin that was used).
  

I just finished another edit of one of the photos from the open day.

Someone else had posted a photo of a dream like impression and I wanted to see if I was able to do the same with one of my photos.



Model: Taylia Lopez
Lighting & Set: Studio 1A
Hair & Make-up: Kabuki Mee Designs

I also did another photo of one of the other girls at the photo shoot.




Model: Britney Williams
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Sets: Studio 1A Sydney

The photoshoot last week provided a lot of lessons...some learnt and some where I need more practice.

My main reason for participating was to gain more experience working with models and especially be able to pose models better. A secondary objective was to get some great photos that I can use for my portfolio and for this website.
I think I succeeded with both objectives although I definitely need more experience with posing.
 
 I had no idea what to expect before getting there apart from knowing that there would be a number of models, makeup artists and a number of different sets.
 
The format is pretty simple...first come first serve to a set. You use the time effectively, work quick and take 20-30 shots with each model and after that you let someone else have a turn and move onto a different set.
 
This means that you have to work very effective with the models and try and get a good photo. You cannot change the set and you cannot change the light setup so in terms of creativity this is quite limiting.
It came in very handy that I have done some studio photography and have a good understanding of the theory. This means that it was easier for me to work with the variables that I could change, mainly changing my position on the set to get different shadows and lights and then also let the models move closer or further away from the lights to change this. I definitely think that this allowed me to get some pretty unique photos, but I definitely something I need to do more of if I get the chance to do this again.
 
Also, some of the models were professional models and others had done absolutely no modelling before. They all presented different challenges, as the professional models will give you the model poses and looks and it it hard to change this without it being pretty obvious that you only have little experience. The ones with no experience required a lot more guidance and this was where I really struggled and I definitely need some more standard poses that I can pull out for these situations. That said some of the models with no experience did really good and the most of the models were rally good fun to work with.
I especially found it really hard to pose with the male models.

Another thing is how social media works. The agreement was that you would put your shots into a dropbox folder so that the hair and makeup artists as well as the model could access low resolution files and at the same time get access to your contact details if they would like prints/hires files. I also posted the photos on the groups facebook page and the response was amazing compared to what I normally get on photos. Lots of likes and suddenly everyone wants to be my friend on Facebook (they may be disappointed when they see the stuff I normally post) and most amazing is the response from the models and the hair and makeup artists...a number of them are already using the material to promote themselves (which I am fine with as long as it doesn't go beyond that) and they are leaving comments/shares saying things such as 'this is my favourite photo from the day so far'.

Not knowing what gear to bring I brought pretty much everything I terms of lenses and even a couple of flashes and grey cards. I ended up shooting with my 85mm f1.4 pretty much most of the time and occasionally changing to a 50mm f1.4 for full body shots or on the sets where there wasn't much space on the set. What I didn't bring was my 105mm macro lens. I could have used this lens for getting in close for detail type shots and wish I had brought this along.
I should also have brought an ND8 filter for shooting natural light at f1.4...even with the Nikon D800 it was next to impossible to not overexpose using that bright light.
 
They have announced that they will be holding another shoot in august which I am planning to participate in and they also have a nude workshop in July that I am trying to convince Kim that I should go to...but we will see.

Miyuki is a makeup artist and had never done any modeling before and this was the first time as a model.



She has a really nice outfit/hair piece and the makeup was done really nicely. The skin in her face is absolutely flawless and virtually no re-touching was required.



Photographer: Rene Pallesen
Model: Miyuki Tsuda
Hair and Makeup: Kabuki Mee Designs
Set/Light: Studio 1A Sydney

One of the professional models on the day was Melanie. She knows how to model and give you the looks but it also made it hard to get a unique photo. Even though I did get a lot of great photo I think the one below is the best...it is very magazine like.

At one point during my session with her she started talking to some other people down the back and she became all smiley and giggly...the modelling cover totally disappeared. I really kick myself that I didn't keep shooting while this happened.



Photographer: Rene Pallesen
Model: Melanie J Bowers
Hair: Cara Leupuscek
MUA: Melisa Tomic
Studio and lighting : 1A Sydney

Pia had a very cool red and white facepaint/makeup. It was a bit strong for the set but I think it is pretty good in black and white with a slight hint of the colours blended back in.




Photographer: Rene Pallesen
Model: Pia Prestley
Hair: Cara Leupuscek
MUA: Marie Donnell
Studio and lighting : 1A Sydney

At the photo shoot there was also a couple of male models.

I find it a lot harder to pose males than females...with females I can (kind of) tell what looks good and what doesnt and when I get a goo pose I know it. With males it is a lot harder as I never think about what looks masculine.

This day was a really eye opener that before I next time have to shoot a male I will have to do a bit of homework and have some general ideas already mapped out.

At the end of the day they were shooting inside this caged lift and I got the this shot. Later I saw another photographers photo using the same setting and it was amazing.




It was really cool to see what other people did in the same set and I learned so much just from watching other photographers as well as models.

I also did a couple of shots using a projection screen...not a big fan, but I did snap the following that turned out somewhat ok but not entirely happy about it.




Model: Sudip Limbu
Hair: Cara Leupuscek
Makeup: Melinda
Lighting & Sets: Studio 1A Sydney

I did another set/makeup shoot with Valerie in a more 50's style setting.

First I had her standing up, but just could not get the poses working for me with the makeup and the set...just somehow seemed out of place and it was my second set of the day so I was still trying to get used to the whole idea of giving posing directions.

Eventually I had her sit down and managed to get this photo which I think captured the whole 1950's style much better.




Model : Valerie Pueovska
Hair : Cara Leupuscek
MUA : Melisa Tomic
Studio/Set: 1A Sydney
Photographer : Rene Pallesen

I did a couple of different sets with Valerie. Depending on the makeup she would look totally different and unrecognisable.

I call this my 'Get Lost' photo...bit of attitude.







Model: Valerie Peovska
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Set: Studio 1A Sydney

The last of the girls that I shot at the window set was Edyta.

She has got a bit more of a rough look to her...a bit like Geena Davis in 'Long Kiss Goodnight'.

Being at the window with soft light everywhere the tough look didn't work for me, but I did manage to get this photo which emotionally is a bit more on the lighter side.




Model: Edyta Jedrzejowska
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Set: Studio 1A Sydney

Religion is an integral part of Laos society where the majority are Budhists.



The monks dressed in orange and red ropes are still visible everywhere and it is largely seen as becoming a novice (junior monk) is seen as an opportunity to get an education and support your family if you come from a poor rural area.


 


The high influx of tourists, especially to Luang Prabang is therefore a bit of a win-win situation for everyone. The tourists support the temples in the area by paying their admission fees to visit and on both my trips I have found that the monks are keen to have a conversation as it is a way of practicing their language skills.

In Luang Prabang the monks walk in procession every morning to collect rice from worshipper along the roads. Before sunrise there are hundreds of monks walking the streets in every direction. There is an equal horde of tourists trying to take photos of these monks and equally tourists handing out (sometimes dubious) rice to them.



There are posters around the city encouraging being there and seeing the monks as well as providing some guidelines such as keeping a certain distance, not using flash photography and if you hand out rice then where to get it from. Most of it common sense really, so it was sad to see how some would be blocking the paths and sticking their camera phones with flashes into the monks faces.





Sacha and I went there a couple of mornings, but because of the time of the year everything was dark and because the monks move quite fast through the streets it was a challenge getting good shots.



One afternoon we walked past a temple and a group of monks were in progress of cutting down a large tree and afterwards trimming off the branches. They were going to use some of the tree trunk for traditional drums and the rest for ornamental purposes inside the temple.







In the late afternoons you would hear them chanting in the small rooms of meditations, chanting and prayer. These are often smaller places of worship and not part of the main temples which are used for more ceremonial purposes.
One evening I heard such chanting and went to investigate and found these monks. Definitely one of my favourite moments in Luang Prabang.



A common assumption and misconception is that the monks live by an ancient code with a simple life, so it is quite interesting to see that even they have adopted modern technology with smart phones and cameras.

The locals are still relying on motorbikes to get around. They are far cheaper and more convenient in the towns. It is even possible to fit an entire family onto a single motorbike.







Younger kids and high schoolers ride their push bikes for transport.



Although Aiden and the other kids definitely preferred the motor bikes.



Nothing too flash for weddings - a normal new car will suffice. If you notice the sign on the door, then I am not sure if the bride was expecting to come home to 'Meat & Sausage'.



There are also some vintage cars around which have survived since colonial times - like this 1952 Citroen.

On the last day in Luang Prabang we went to the local ten pin bowling alley.

We had heard and read that this is the place where things are happening in Laos. When we got there the place was totally deserted apart from a few staff members.

We did play bowling and it is a bit surreal to play by ourselves in this fairly modern centre in Laos.



They didn't have any support rails for the kids, but Aiden especially did really well and the kids managed to beat Kim on points.