This was the last of the models I photographed at the goods elevator.



Set & Lights: Studio 1A Sydney
Model: Christina Tran
Hair: Roxanne Cahill
Makeup: Rachael Bastiaansen
Photo: Rene Pallesen

There was another model at on the day with this really nicely done black body paint.
She looked great against the black backdrop.





These were taken with a gridded beauty dish high camera left. I had someone hold a silver reflector on the right to create some separation but I don't think it is really noticeable.

Set & Lights: Studio 1A Sydney
Model: Anna Gambril
HMUA: Jade Little
Photo: Rene Pallesen

Here is another one of Michaela from the open day.



Set & Lights: Studio 1A Sydney
Model: Michaela Baranov
Hair: Roxanne Cahill
Makeup: Rachel Bastiaansen
Photo: Rene Pallesen

Melanie was back for this shoot and in high demand with lots of photographers wanting to photograph her.

I only had the chance when she was with Sophia at the goods elevator as I didn't want to waste a lot of time at some of the other sets standing in line waiting.



Here is one of her and Sophia Angeleena.



And here is a photo someone took of me in action.



Set: Studio 1A Sydney
Model: Melanie Bowers (and Sophia Angelena)
HMUA:
Photo: Rene Pallesen

...and here is Jayden.

This was taken using a large octabox to the right of the camera.

A lot of work had to go into the post production of this photo. The background had a lot of creases that had to be evened out and it was a fairly tight image because the background was really narrow. I wanted something a little wider so had to expand the background while retaining all the natural shadows. The shadows that are remaining are all natural and I was so-so as to whether they should be worked on some more but in the end I've decided to leave them as they are.




Photo: Rene Pallesen
Model: Jayden S - Ikon model
HMUA: Rachael Bastiaansen
Sets: Studio 1A Sydney

Another model at the photo day was Sophia. She is an experienced model and I have seen some of her other work and it is very nice (https://www.facebook.com/sophia.angeleena.1).

This photo was taken in a goods elevator full of smoke from a smoke machine and then backlit with a bare bulb strobe. The front was lit using a small beauty dish with a sock on it.



Set: Studio 1A Sydney
Model: Sophia Angeleena
Hair: Roxanne Cahill
Makeup: Syham Elomar
Photo/Retouching: Rene Pallesen

One of the sets at the Open day photoshoot was setup with a stroboscopic flash in an octabox to allow capturing movements. The model Bree was covered in a full body silver body paint which looked fantastic.



We would be 5-6 photographers on the set, but only one person would be in control of the trigger and this person also had control of providing instructions to the model. Sometimes the person would give you a countdown, but more often than not they would just say go and then you would pull the trigger and hope that you captured the 2-3 second sequence of flashes.

This was especially difficult because it was all about timing, coordinating the movements and then holding the camera really still (A monopod or tripod would have been great).

What made it especially hard was that the first flash was the strongest followed by a sequence of less powerful flashes. This meant that for some movements you would have to do things in reverse and have the model walk backwards to get what you were after (really hard to look natural). At the same time you would also have to consider the direction of light to make sure that the movements were properly lit.



I had very few usable photos from this session even though I spent a fair bit of time trying to get it right. These are some of the ones I did get.

Set: Studio 1A Sydney
Lighting: Stroboscopic Lighting provided by; http://www.kayellaustralia.com.au/
Model: Bree Williams - www.facebook.com/BriannaWilliamsArtist
HMUA: Jade Little - http://www.alittlemakeupstudio.com/
Photo: Rene Pallesen

Another urban style shoot I did was with this girl.

These were all shot outside using natural light.

For the first time ever did I try some urban style photos with a model named Jamie.

I both did some studio lit shots but also some natural light shots...all good fun.

She is of a Filipino and Spanish background and am represented by IKON Model.

Model: Jamie A - IKON Model, Jamie Aspillaga
HMUA: Syham Elomar 'Doll Face'
Lighting and Sets: Studio 1A Sydney
Photo: Rene Pallesen

The studio lit shots were taken in a lift with a smoke machine and a bale bulb strobe inside the lift. The front is lit by a 15" beauty dish with a sock. f5.6 @ ISO 100.

Religion is an integral part of Laos society where the majority are Budhists.



The monks dressed in orange and red ropes are still visible everywhere and it is largely seen as becoming a novice (junior monk) is seen as an opportunity to get an education and support your family if you come from a poor rural area.


 


The high influx of tourists, especially to Luang Prabang is therefore a bit of a win-win situation for everyone. The tourists support the temples in the area by paying their admission fees to visit and on both my trips I have found that the monks are keen to have a conversation as it is a way of practicing their language skills.

In Luang Prabang the monks walk in procession every morning to collect rice from worshipper along the roads. Before sunrise there are hundreds of monks walking the streets in every direction. There is an equal horde of tourists trying to take photos of these monks and equally tourists handing out (sometimes dubious) rice to them.



There are posters around the city encouraging being there and seeing the monks as well as providing some guidelines such as keeping a certain distance, not using flash photography and if you hand out rice then where to get it from. Most of it common sense really, so it was sad to see how some would be blocking the paths and sticking their camera phones with flashes into the monks faces.





Sacha and I went there a couple of mornings, but because of the time of the year everything was dark and because the monks move quite fast through the streets it was a challenge getting good shots.



One afternoon we walked past a temple and a group of monks were in progress of cutting down a large tree and afterwards trimming off the branches. They were going to use some of the tree trunk for traditional drums and the rest for ornamental purposes inside the temple.







In the late afternoons you would hear them chanting in the small rooms of meditations, chanting and prayer. These are often smaller places of worship and not part of the main temples which are used for more ceremonial purposes.
One evening I heard such chanting and went to investigate and found these monks. Definitely one of my favourite moments in Luang Prabang.



A common assumption and misconception is that the monks live by an ancient code with a simple life, so it is quite interesting to see that even they have adopted modern technology with smart phones and cameras.

The locals are still relying on motorbikes to get around. They are far cheaper and more convenient in the towns. It is even possible to fit an entire family onto a single motorbike.







Younger kids and high schoolers ride their push bikes for transport.



Although Aiden and the other kids definitely preferred the motor bikes.



Nothing too flash for weddings - a normal new car will suffice. If you notice the sign on the door, then I am not sure if the bride was expecting to come home to 'Meat & Sausage'.



There are also some vintage cars around which have survived since colonial times - like this 1952 Citroen.

On the last day in Luang Prabang we went to the local ten pin bowling alley.

We had heard and read that this is the place where things are happening in Laos. When we got there the place was totally deserted apart from a few staff members.

We did play bowling and it is a bit surreal to play by ourselves in this fairly modern centre in Laos.



They didn't have any support rails for the kids, but Aiden especially did really well and the kids managed to beat Kim on points.

Just outside Luang Prabang there is this amazing waterfall cascading down a limestone creek.

We decided to get up early to go a take photos, so that we could be there early before all the crowds arrived.





















At the entrance to the park there is also a Bear rehabilitation centre. They rescue bears from captivity and keep them until it is safe to release them back into the wild (if ever). The bears have a big area and seem to love climbing and sleep in the hammocks provided.

What I especially remember from my last trip to Laos was the kids. One of my most cherished photos is one of two little girls holding a bouquet of flowers that I took 20 years ago (it is on this blog if you look for it through the search function).

The children are still there. They are still very shy, dirty and smiling.











They make up their own games such as these kids at a school playing marbles with tamarind seeds.







These kids were playing a game where the kid under the table had to poke the feet of the kids above the table.



And some things never change, kids teasing each other.





The girls in the school yard 'hang out'.



Visiting a local school was great for our kids to get a glimpse of how other kids live.







Along the road we stopped and a family was outside with the mother breastfeeding her son in their outdoor living room. This is where everything happened such as the cooking, washing, feeding etc.





The chicken were running around freely



Here is a rare shot that Kim took with my camera in it.



It is a very family oriented life they live

Our kids had a blast of a time in Laos. They loved each other company (for the most part) and sometime looked like real little travellers.








They were respectful at the temples and even offered a prayer.





At other times they behaved like animals and should be lock away in a cage.





But for the most part they liked exploring things that us adults wouldn't see such as this crater from a crash landed U.F.O.

For getting around the towns in Laos we mainly used Tuk-Tuks. These are small motorbike powered minibuses and the experience can be very mixed. Most of them are generally good, but some have bad brakes have a plume of smelly two stroke engine smoke trailing behind them. We could easily fit our two families into one and I'd joke that there would even be room for another couple of adults.



The kids loved the tuk-tuks and have the fresh air blowing in their hair while riding.



The only downside is that you'd never quite know what the fare would be until you started bargaining and from town to town the fares seemed to be very different. Even though I believe I am reasonable proficient at bargaining, I'm still confident that we paid more that the locals would be paying for the same trips.











For the longer trips we would catch either local buses (mini vans) or in some instances it was worthwhile us hiring a private bus as we were enough people to fill it.

From Vang Vieng to Luang Prabang we hired a private van taking us across the mountain pass at Kasi. Last time I went through here it was in an open bus and at the pass it was raining and really cold. This time round we had a beautiful clear day with a great view of the valley below from the top.





The week before they had a lot of rain and a landslide had taken out large parts of the last section of road (I read in the local newspaper a few days earlier that the road was closed). Our little van was struggling getting enough grip and our driver had to reverse to get enough of a run-up in the next attempt to make it through the steep and muddy section.

The larger trucks were really struggling getting through.

The morning markets are interesting. This is where the locals still go to buy their fresh produce and all kinds of specialties are being sold here. It would be easy to go here and get the ingredients for some really delicious food.

There are also some unusual things that we don't see in our western kitchens. such as:

Dried Squids:



Fresh fish - of cause, but this have sharp teeth.


A protein and herb table that would make most chefs (and diners) salivate:






The Chillies in Lao are more hot than in Thailand - We loved the heat.


A pig:


River crabs:


Beetles:


Dried rats:




Caterpillar - these are yummi when fried:


Frogs:

River snails:


Dried squid, shrimps and fish:

They still manufacture silk they way they used to. It was interesting for the kids to see the process from small caterpillar eggs that hatch to worms to the production of the silk itself.






I had always wondered where the colour blue (Indigo) came from. I knew it used to come from a seashell, but I was fairly certain that this wouldn't be the case here. It turns out that they use a special leaf from a plant that when mixed with water and left fermenting/oxidising turns into a blue dye.





They also use plants for most of the other colours.





After they spin the thread they use traditional weaves to make it into pieces of garment. These days the silk garments are fairly expensive - hundreds of dollars, but it used to be really cheap.

During the dry season the people of Luang Prabang builds traditional bamboo bridges across the smaller river. This saves them a lot of time (and cost) to cross directly into the centre of town rather than a long detour to the other larger bridges.

It also earns them a small income to charge foreigners a small fee to cross the bridges.

A couple of weeks ago we made a trip to Taronga Zoo.

One of the families from daycare had a spare pass that we borrowed for the day.

First we went through the bird sanctuary and the kids were not overly impressed and were more interested in the waterfalls and the leaves fallen off the trees.




After that we walked past the playground and Lucas immediately ran off (Aiden was a bit more hesitant as he is more cautious) and couldn't get enough of going down the big slide (by himself).




The seal show was more to the taste of Aiden even though he'd seen it before.





After this we went to the Australian section of the park to see some kangaroos (including a tree kangaroo) and other wildlife.

Here is some more photos from the shoot the other day. They are not my favourites, but good enough to share I think.



Model: Kerry Ann Peterson



Model: Gabriella Srage



Model: Emma Perceval

I just finished another edit of one of the photos from the open day.

Someone else had posted a photo of a dream like impression and I wanted to see if I was able to do the same with one of my photos.



Model: Taylia Lopez
Lighting & Set: Studio 1A
Hair & Make-up: Kabuki Mee Designs

I also did another photo of one of the other girls at the photo shoot.




Model: Britney Williams
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Sets: Studio 1A Sydney

The photoshoot last week provided a lot of lessons...some learnt and some where I need more practice.

My main reason for participating was to gain more experience working with models and especially be able to pose models better. A secondary objective was to get some great photos that I can use for my portfolio and for this website.
I think I succeeded with both objectives although I definitely need more experience with posing.
 
 I had no idea what to expect before getting there apart from knowing that there would be a number of models, makeup artists and a number of different sets.
 
The format is pretty simple...first come first serve to a set. You use the time effectively, work quick and take 20-30 shots with each model and after that you let someone else have a turn and move onto a different set.
 
This means that you have to work very effective with the models and try and get a good photo. You cannot change the set and you cannot change the light setup so in terms of creativity this is quite limiting.
It came in very handy that I have done some studio photography and have a good understanding of the theory. This means that it was easier for me to work with the variables that I could change, mainly changing my position on the set to get different shadows and lights and then also let the models move closer or further away from the lights to change this. I definitely think that this allowed me to get some pretty unique photos, but I definitely something I need to do more of if I get the chance to do this again.
 
Also, some of the models were professional models and others had done absolutely no modelling before. They all presented different challenges, as the professional models will give you the model poses and looks and it it hard to change this without it being pretty obvious that you only have little experience. The ones with no experience required a lot more guidance and this was where I really struggled and I definitely need some more standard poses that I can pull out for these situations. That said some of the models with no experience did really good and the most of the models were rally good fun to work with.
I especially found it really hard to pose with the male models.

Another thing is how social media works. The agreement was that you would put your shots into a dropbox folder so that the hair and makeup artists as well as the model could access low resolution files and at the same time get access to your contact details if they would like prints/hires files. I also posted the photos on the groups facebook page and the response was amazing compared to what I normally get on photos. Lots of likes and suddenly everyone wants to be my friend on Facebook (they may be disappointed when they see the stuff I normally post) and most amazing is the response from the models and the hair and makeup artists...a number of them are already using the material to promote themselves (which I am fine with as long as it doesn't go beyond that) and they are leaving comments/shares saying things such as 'this is my favourite photo from the day so far'.

Not knowing what gear to bring I brought pretty much everything I terms of lenses and even a couple of flashes and grey cards. I ended up shooting with my 85mm f1.4 pretty much most of the time and occasionally changing to a 50mm f1.4 for full body shots or on the sets where there wasn't much space on the set. What I didn't bring was my 105mm macro lens. I could have used this lens for getting in close for detail type shots and wish I had brought this along.
I should also have brought an ND8 filter for shooting natural light at f1.4...even with the Nikon D800 it was next to impossible to not overexpose using that bright light.
 
They have announced that they will be holding another shoot in august which I am planning to participate in and they also have a nude workshop in July that I am trying to convince Kim that I should go to...but we will see.

Miyuki is a makeup artist and had never done any modeling before and this was the first time as a model.



She has a really nice outfit/hair piece and the makeup was done really nicely. The skin in her face is absolutely flawless and virtually no re-touching was required.



Photographer: Rene Pallesen
Model: Miyuki Tsuda
Hair and Makeup: Kabuki Mee Designs
Set/Light: Studio 1A Sydney

One of the professional models on the day was Melanie. She knows how to model and give you the looks but it also made it hard to get a unique photo. Even though I did get a lot of great photo I think the one below is the best...it is very magazine like.

At one point during my session with her she started talking to some other people down the back and she became all smiley and giggly...the modelling cover totally disappeared. I really kick myself that I didn't keep shooting while this happened.



Photographer: Rene Pallesen
Model: Melanie J Bowers
Hair: Cara Leupuscek
MUA: Melisa Tomic
Studio and lighting : 1A Sydney

Pia had a very cool red and white facepaint/makeup. It was a bit strong for the set but I think it is pretty good in black and white with a slight hint of the colours blended back in.




Photographer: Rene Pallesen
Model: Pia Prestley
Hair: Cara Leupuscek
MUA: Marie Donnell
Studio and lighting : 1A Sydney

At the photo shoot there was also a couple of male models.

I find it a lot harder to pose males than females...with females I can (kind of) tell what looks good and what doesnt and when I get a goo pose I know it. With males it is a lot harder as I never think about what looks masculine.

This day was a really eye opener that before I next time have to shoot a male I will have to do a bit of homework and have some general ideas already mapped out.

At the end of the day they were shooting inside this caged lift and I got the this shot. Later I saw another photographers photo using the same setting and it was amazing.




It was really cool to see what other people did in the same set and I learned so much just from watching other photographers as well as models.

I also did a couple of shots using a projection screen...not a big fan, but I did snap the following that turned out somewhat ok but not entirely happy about it.




Model: Sudip Limbu
Hair: Cara Leupuscek
Makeup: Melinda
Lighting & Sets: Studio 1A Sydney

I did another set/makeup shoot with Valerie in a more 50's style setting.

First I had her standing up, but just could not get the poses working for me with the makeup and the set...just somehow seemed out of place and it was my second set of the day so I was still trying to get used to the whole idea of giving posing directions.

Eventually I had her sit down and managed to get this photo which I think captured the whole 1950's style much better.




Model : Valerie Pueovska
Hair : Cara Leupuscek
MUA : Melisa Tomic
Studio/Set: 1A Sydney
Photographer : Rene Pallesen