A couple of weeks ago we made a trip to Taronga Zoo.

One of the families from daycare had a spare pass that we borrowed for the day.

First we went through the bird sanctuary and the kids were not overly impressed and were more interested in the waterfalls and the leaves fallen off the trees.




After that we walked past the playground and Lucas immediately ran off (Aiden was a bit more hesitant as he is more cautious) and couldn't get enough of going down the big slide (by himself).




The seal show was more to the taste of Aiden even though he'd seen it before.





After this we went to the Australian section of the park to see some kangaroos (including a tree kangaroo) and other wildlife.

Here is some more photos from the shoot the other day. They are not my favourites, but good enough to share I think.



Model: Kerry Ann Peterson



Model: Gabriella Srage



Model: Emma Perceval

I just finished another edit of one of the photos from the open day.

Someone else had posted a photo of a dream like impression and I wanted to see if I was able to do the same with one of my photos.



Model: Taylia Lopez
Lighting & Set: Studio 1A
Hair & Make-up: Kabuki Mee Designs

I also did another photo of one of the other girls at the photo shoot.




Model: Britney Williams
Hair: Cara Leupuscek
Makeup: Melisa Tomic
Sets: Studio 1A Sydney

The photoshoot last week provided a lot of lessons...some learnt and some where I need more practice.

My main reason for participating was to gain more experience working with models and especially be able to pose models better. A secondary objective was to get some great photos that I can use for my portfolio and for this website.
I think I succeeded with both objectives although I definitely need more experience with posing.
 
 I had no idea what to expect before getting there apart from knowing that there would be a number of models, makeup artists and a number of different sets.
 
The format is pretty simple...first come first serve to a set. You use the time effectively, work quick and take 20-30 shots with each model and after that you let someone else have a turn and move onto a different set.
 
This means that you have to work very effective with the models and try and get a good photo. You cannot change the set and you cannot change the light setup so in terms of creativity this is quite limiting.
It came in very handy that I have done some studio photography and have a good understanding of the theory. This means that it was easier for me to work with the variables that I could change, mainly changing my position on the set to get different shadows and lights and then also let the models move closer or further away from the lights to change this. I definitely think that this allowed me to get some pretty unique photos, but I definitely something I need to do more of if I get the chance to do this again.
 
Also, some of the models were professional models and others had done absolutely no modelling before. They all presented different challenges, as the professional models will give you the model poses and looks and it it hard to change this without it being pretty obvious that you only have little experience. The ones with no experience required a lot more guidance and this was where I really struggled and I definitely need some more standard poses that I can pull out for these situations. That said some of the models with no experience did really good and the most of the models were rally good fun to work with.
I especially found it really hard to pose with the male models.

Another thing is how social media works. The agreement was that you would put your shots into a dropbox folder so that the hair and makeup artists as well as the model could access low resolution files and at the same time get access to your contact details if they would like prints/hires files. I also posted the photos on the groups facebook page and the response was amazing compared to what I normally get on photos. Lots of likes and suddenly everyone wants to be my friend on Facebook (they may be disappointed when they see the stuff I normally post) and most amazing is the response from the models and the hair and makeup artists...a number of them are already using the material to promote themselves (which I am fine with as long as it doesn't go beyond that) and they are leaving comments/shares saying things such as 'this is my favourite photo from the day so far'.

Not knowing what gear to bring I brought pretty much everything I terms of lenses and even a couple of flashes and grey cards. I ended up shooting with my 85mm f1.4 pretty much most of the time and occasionally changing to a 50mm f1.4 for full body shots or on the sets where there wasn't much space on the set. What I didn't bring was my 105mm macro lens. I could have used this lens for getting in close for detail type shots and wish I had brought this along.
I should also have brought an ND8 filter for shooting natural light at f1.4...even with the Nikon D800 it was next to impossible to not overexpose using that bright light.
 
They have announced that they will be holding another shoot in august which I am planning to participate in and they also have a nude workshop in July that I am trying to convince Kim that I should go to...but we will see.

Miyuki is a makeup artist and had never done any modeling before and this was the first time as a model.



She has a really nice outfit/hair piece and the makeup was done really nicely. The skin in her face is absolutely flawless and virtually no re-touching was required.



Photographer: Rene Pallesen
Model: Miyuki Tsuda
Hair and Makeup: Kabuki Mee Designs
Set/Light: Studio 1A Sydney

One of the professional models on the day was Melanie. She knows how to model and give you the looks but it also made it hard to get a unique photo. Even though I did get a lot of great photo I think the one below is the best...it is very magazine like.

At one point during my session with her she started talking to some other people down the back and she became all smiley and giggly...the modelling cover totally disappeared. I really kick myself that I didn't keep shooting while this happened.



Photographer: Rene Pallesen
Model: Melanie J Bowers
Hair: Cara Leupuscek
MUA: Melisa Tomic
Studio and lighting : 1A Sydney

Pia had a very cool red and white facepaint/makeup. It was a bit strong for the set but I think it is pretty good in black and white with a slight hint of the colours blended back in.




Photographer: Rene Pallesen
Model: Pia Prestley
Hair: Cara Leupuscek
MUA: Marie Donnell
Studio and lighting : 1A Sydney

At the photo shoot there was also a couple of male models.

I find it a lot harder to pose males than females...with females I can (kind of) tell what looks good and what doesnt and when I get a goo pose I know it. With males it is a lot harder as I never think about what looks masculine.

This day was a really eye opener that before I next time have to shoot a male I will have to do a bit of homework and have some general ideas already mapped out.

At the end of the day they were shooting inside this caged lift and I got the this shot. Later I saw another photographers photo using the same setting and it was amazing.




It was really cool to see what other people did in the same set and I learned so much just from watching other photographers as well as models.

I also did a couple of shots using a projection screen...not a big fan, but I did snap the following that turned out somewhat ok but not entirely happy about it.




Model: Sudip Limbu
Hair: Cara Leupuscek
Makeup: Melinda
Lighting & Sets: Studio 1A Sydney

I did another set/makeup shoot with Valerie in a more 50's style setting.

First I had her standing up, but just could not get the poses working for me with the makeup and the set...just somehow seemed out of place and it was my second set of the day so I was still trying to get used to the whole idea of giving posing directions.

Eventually I had her sit down and managed to get this photo which I think captured the whole 1950's style much better.




Model : Valerie Pueovska
Hair : Cara Leupuscek
MUA : Melisa Tomic
Studio/Set: 1A Sydney
Photographer : Rene Pallesen

A two hour boat ride north of Luang Prabang is the Pak Ou cave. Since we were traveling two families the best way to get there was to hire a slow boat just for us.



The flow boats are long narrow boats that are ideal for navigating the Mekong River. This part of the river is full of underwater rocks but the boats seem to navigate these treacherous waters with ease.

Having the boat for ourselves gave us more flexibility with regards to how long we wanted to spend at the cane and also meant that we have more room to move around.



The front of the boar is where the captain sits and steers the boat. After this there is a section for the passengers followed by a small pump toilet and then the living quarters for the captain and his family. Out the back there is a small kitchen for them to do the cooking.

The cave is upstream into an area full of limestone mountains.



The many boats moor at a long and wobbly floating bamboo bridge that takes you to the cave itself.





The cave itself is not big but it is full of small Buddhas that have been put there over hundreds of years. You can tell that this used to be an important place of worship.





Now however the place is so crowded with tourists (guilty here too) coming in on boats that it is hard to move around. I could not stop myself from taking this photo of Buddha holding up his hands to stop more boats arriving.



At the top of the hill the hill there is what I think is a more 'pleasant' cave. It is equally interesting and much less crowded because most tourists don's make it up the many steps to the top.

The traditional Lao Lau is still being made. Just north of Luang Prabang on the river there is a little village on the river called Whiskey village whos main income is from the production of Lao Lau.



When I was there two decades ago this is what the locals were drinking (now they drink beer instead). I still remember the foul taste from the home brew that was distilled in large oil drums after having been fermented in large clay pots. Whenever I see it I always wonder if distilling strong alcohol right next to an open flame is the wisest of ideas!?!?





The process itself hasn't changed, but these days most of the whiskey is sold to tourists and I tastes a lot more pleasant that it did back then.

The food in Laos is good. It is traditional cooking mostly still cooked over an open fire.





You see them start cooking the food well before sunrise in big pots.

The food itself is mostly a fusion of Thai and Vietnamese. It has all the noodle soups from Vietnam, but with the more street food and spice of Thailand. The picture below is a typical noodle soup with a traditional cube of coagulated blood.





We were eating a lot from small street type restaurants following the rule that is had to be popular with the locals. The logic behind this is that the locals would know what is good and would also be choosy regarding the quality of the food, so chances are that it would be fresh and not cause food poisoning (none of us or the kids had any issues on the trip).






There are some dubious food there, such as some of the meat BBQ where they sometimes have the meet cooked earlier on the side of the BBQ and then just re-heat it when you order it.







Also be careful with some of the food stalls where the food may have been sitting there for most of the day and often from the day before.





From a 'snack' perspective there are some personal favourites that I absolutely love such as the BBQ fried squid - the packet stuff is just not the same.



Also the Bamboo and coconut fried rice is delicious - they sell them at bus and train stations and especially the purple rice one is yummi!



The freshly made puffed breads over an open fire - they will use two rakes to flip them until they are done.